Russian charter set for An Tir

A set of art for charters (preprints) in the Russian tetralogical style. Award of arms Goutte de sang. Jambe de leon. Grey goose shaft Sable gauntlet Inspiration Grey goose in progress Award of arms with text. Aoa painted. Sable gauntlet painted. Sources: Bowater, Marina, and V. V. Stasov. The Decorative Art of Russia. New York:…

Tetralogical scroll for Hlutwige

A Thank You scroll for the outgoing Baroness who has almost everything. Hand mixed gouache, India ink and finetec gold on pergamenta. Approximately 11×17. Most of the gouache I used was received as a prize and made by Antonia Crivelli. This piece was inspired by several manuscripts in the tetralogical style. The frame was based…

Mountain and Grail charter.

A charter(preprint) design for TAH Antoine and Kathren. I based it on a 16th c English indenture, swapping out badges and foliage for Summits specific imagery. The roses became barberries, and the portcullises the grail and mountains. Finally, the arms became those of the Summits. Text added by the coronet scribe. Painted:

Penwork Orders of Adiantum.

Two baronial awards based on penwork initals. Gouache and India ink on pergamenta. Each is ~ 8″x 10″. Text as assigned. Exemplar one: Source: University of Utrecht Exemplar two: Source: Vatican Library Calligraphy Penwork Red initials added. A close look at exemplar one shows the red initial added over the black penwork. Sources: https://digi.vatlib.it/view/bav_pal_lat_298/0007 http://objects.library.uu.nl/reader/index.php?obj=1874-26261&lan=en&_ga=1.1728952.846940849.1464123663#page//46/92/93/46929327825561963223818863611190518725.jpg/mode/1up

German Amicus Musarum

A Baronial award based on a mid 15th century German bible. Ink and gouache on pergamenta. The original manuscript measures 15.5 x 9cm, mine is a touch larger. Folio 19r Folio 107r The style is relatively loose, with a fair amount intentional white space. I worked mostly from folio 19r, turning the saint portrait into…

Penwork Royal Cipher

A Royal Cipher based on a 14th c Dutch manuscript. Ink and gouache on pergamenta. 8.5″ x 11″. Text provided. Exemplar . I flipped and modified this m into a w, and left the middle of the bottom roundel for the seal. Layout and calligraphy. Blue ink. Red ink. Final touches in green gouache. Sealed…

Russian Baronial award, by Michael.

I was honored to receive my Barony’s persona award this past weekend, and Michael Sinclair made this lovely Russian scroll for me!! It’s gouache on pergamenta, and about 11″ x 14″.

Tiny Mountains Pride.

A wee Champions Scroll based on a leaf from a late 15th c Burgundian book of hours, picturing Death personified as a skeleton, at the beginning of the Office of the Dead. Gouache and India ink on pergamenta. Approximately 3.5″ by 5.5″, close to the size of the exemplar. Exemplar. Source: Sotheby’s Calligraphy and sketch….

Insular Mountain Sun

A Baronial award based on the 13th century Irish Cormac Psalter. Gouache and India ink on paper. Folio 122r Folio 60r Interestingly, this manuscript uses both Insular Majuscule and Insular Miniscule. I choose to use Insular Majuscule, as that was used on my inspiration page. The height of the text is graduated, also based on…

Russian Charter set

A set of five charters for An Tir in the tetralogical style, these were loosely based on a 14th c gospel from Moscow. The Awards included are the Lion’s Torse, Lion’s Cub, Terpsichore’s Fox, Leo Minor, and Lion’s Mane. To make them a set, I drew the frame and then added different critters and knotwork…

Tiny Viscounty

A Viscounty for Turk, based on a Dutch book of Hours ca 1470. Period pigments, commercial gouache, and India ink on pergamenta. 4″x 6″, sized to match the exemplar. I swapped the recipient’s arms into the initial, and rearranged the text block slightly. The peacock in the border was perfect, since his arms also feature…

Tiger of St Francis Charter

A charter (preprint) for the Summits, based on a 14-15th c Russian manuscript from Moscow. Source: Vzdornov Designed, waiting for calligraphy. The text was written in a pseudohand to emulate Cyrillic. Painted. Of these versions, the blue and the green are most typical of the tetralogical style. Sources: Vzdornov, G. I. Iskusstvo Knigi v Drevneĭ…